I think the best of the latest generation – and I would single Cinematic Studio out for special praise – do allow a more natural musical flow without too much effort but there’s certainly still a place for the venerable VSL, particularly in the huge range of instruments and articulations it offers and I use it in many projects. I think it’s a bit unfair classifying VSL as first generation MIDI as there is actually quite a lot of scripting going on under the hood. I am afraid that the development of VSS2 has been completely stopped, and I worried its availability for future macOS releases without Rosetta 2 support (together with its availability in VST3). Is there a default way to turn the MIR panning off by default for certain instruments (like the Bosendofer)?Īlso, the built-in MIR in the Synchron Player can be a good competitive product to Virtual Sound Stage 2 (VSS2) if being sold separately as a tiny plugin. I am afraid that this is not the only “what needs to be improved”.īen (VSL) joined the same discussion in the VI-Control, and I left some comments regarding the generations of MIDI mockup technologies at present in the thread there: Is VSL Special Edition still easy for sheet music composers? | VI-CONTROLīTW, maybe MIR does not always sound good with samples from VSL Symphonic Cube (which is what VSL SE and Synced SE uses). Thanks to Andreas_Olszewski, who were trying to address the problem of articulations in the VSL demo I provided.
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